Errol Morris employs his famous —a device that allows the subject to look directly into the camera lens while seeing Morris’s face, creating an intense, confessional eye-contact with the viewer. The film is almost entirely le Carré speaking, intercut with re-enactments (a Morris specialty), archival footage, and abstract, moody cinematography by Igor Martinović.
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Unlike a typical documentary that tries to separate the man from the myth, The Pigeon Tunnel argues that le Carré’s fiction (George Smiley, Karla, the Circus) is his real autobiography. The film includes a long, hypnotic sequence where le Carré reads from A Perfect Spy —his most autobiographical novel—while Morris shows us photographs of the real boy David. Errol Morris employs his famous —a device that
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The most emotionally devastating section of the film deals with Ronnie Cornwell—a charismatic, imprisoned, and fraudulent man who claimed connections to the Kray twins and Winston Churchill. Le Carré admits he became a spy to escape his father, then a writer to understand him. In one chilling anecdote, le Carré describes his father turning up to his MI6 safe house, already knowing his son’s real job.