For male idols, the late Johnny Kitagawa (despite the controversial legacy of his agency) created a monopoly for decades. Groups like Arashi and SMAP were not just singers; they were actors, variety show hosts, and cultural staples. The slow opening of these agencies to streaming (after years of blocking YouTube) marks a seismic shift in how Japan consumes its own music.
Solos are rare; groups (idol units, comedy duos, bands) dominate. Disbanding is emotional. Individual success without the group is often seen as betrayal. fairy family sex ii uncensored jav exclusive