The step-parent was a villain; the child was a victim. The resolution often involved the biological parent "choosing" the new spouse or the child being sent away. Modern Cinema: The conflict is internal. The struggle is not about good vs. evil, but about grief, guilt, and territory.
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Shazam! is perhaps the most explicit. Billy Batson is a foster child bounced between homes. He ends up in a group home with five other foster children. The film doesn't try to replace his biological mother; instead, it argues that a sibling group bound by shared trauma and a magical superhero secret is just as valid as a bloodline. The "blending" here isn't about marriage contracts; it's about survival. The step-parent was a villain; the child was a victim