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A primary argument for The Lighthouse as the year’s best offering lies in its deliberate and rigorous aesthetic choices. Shot on 35mm black-and-white double-perforation film stock, the movie employs a near-square 1.19:1 aspect ratio. This constriction is not merely a stylistic flourish but a narrative device; it physically forces the audience into the cramped quarters of the two protagonists, Ephraim Winslow (Robert Pattinson) and Thomas Wake (Willem Dafoe).
4/5 stars
Have you watched “Down” (2019)? Share your spoiler-free thoughts in the comments below. And if you found this guide useful, share it with anyone searching for the perfect weekend thriller.
Let’s answer the practical question behind the keyword:
A: No. You can turn it off as soon as the screen goes black.