At maximum decay times, a static reverb can sound boring. Use a plugin with built-in modulation or chorus to keep the tail "moving" and organic. Why Use Maximum Reverb?
Therefore, the is exclusively a digital domain. Convolution reverbs (like Altiverb or Logic's Space Designer) can capture impulse responses of massive caves, but even those eventually fade. Only algorithmic reverbs with high feedback loops (like the Lexicon 224's "Hall" or the aforementioned Blackhole) can create true infinite sustain. maximum reverb sound effect best
The biggest mistake with heavy reverb is frequency buildup. Low-end frequencies in a long reverb tail will quickly turn into a brown noise that masks your bass and kick drum. At maximum decay times, a static reverb can sound boring
Popularized in the 1980s and revived in modern Dream Pop and Shoegaze, this is the sound of maximum reverb blended with modulation. Plugins like ValhallaShimmer or the classic Eventide H3000 create a "shepherd tone" effect. Therefore, the is exclusively a digital domain
This smooths out the "echos." Maximum diffusion removes the graininess and turns the reverb into a smooth, solid wall of sound.
Use a high-pass filter (around 400Hz) and a low-pass filter (around 6kHz) on your reverb return. This keeps the "boom" and the "sizzle" out of the way of your main instruments.
Purists love analog spring and plate reverbs. However, a physical spring reverb has a physical limit. The springs will actually bounce against the casing if you hit them too hard. Analog plate reverbs (like the EMT 140) have a maximum decay of about 7 seconds before the metal stops vibrating.